English » プログラム http://www.festival-tokyo.jp/14/en Wed, 20 May 2015 07:03:42 +0000 en-US hourly 1 http://wordpress.org/?v=3.9.2 Film Series: “Twisting the Knife – Christoph Schlingensief’s Art of Social Perturbation” http://www.festival-tokyo.jp/14/en/program/film-series-christoph-schlingensief.html http://www.festival-tokyo.jp/14/en/program/film-series-christoph-schlingensief.html#comments Sun, 31 Aug 2014 03:14:15 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=550 About  
Film director, theatre director, TV presenter, political party founder: this series of film screenings and talk events focuses on the remarkable interdisciplinary talent Christoph Schlingensief (1960-2010). Sch]]>

Christoph Schlingensief

christoph-schlingensief

Film & theatre director, action artist, writer, TV presenter
Born in Germany in 1960, Schlingensief was a film and theatre director, writer and TV presenter. He shot his first film at the age of 8. He studied German linguistics and literature, philosophy and art at the University of Munich, and began making films from the early 1980’s, receiving great acclaim for his “Germany Trilogy” (“100 Years Adolf Hitler – The Last Hour in the Führerbunker”, “The German Chainsaw Massacre – The First Hour of the Reunification”, “Terror 2000 – Germany out of Control”) (1989-92). In the 1990’s he made his debut as a theatre director with “100 Years of CDU”. While continuing to present new work at the Volksbühne in Berlin, he also began to engage with projects outside of theatre spaces from 1997. That year saw him create “Passion Impossible, Wake Up Call For Germany”, a week-long “mission station” near Hamburg’s main station, where many homeless, drug addicts and art audiences gathered. In 1998 he set up a political party called “Chance 2000” for the 2000 federal elections. He started working on television from 1997, as the host of talk shows such as Talk 2000 and U3000. His first opera production was Wagner’s “Parsifal”, opening to acclaim at the Bayreuth Festival in 2004. In 2008 he was diagnosed with lung cancer and began to create work on the themes of illness and death. Construction began in 2010 of an African opera village, Remdoogo, in Burkina Faso. Schlingensief passed away that August at the age of 49, though work at Remdoogo carries on and the opera village continues to evolve. The Venice Biennale 2011 awarded the Golden Lion for national pavilions to Germany for its exhibition of Schlingensief’s work.
   ]]> http://www.festival-tokyo.jp/14/en/program/film-series-christoph-schlingensief.html/feed 0 “Thinking About Performing Arts Management” 3 Night Talk Series http://www.festival-tokyo.jp/14/en/program/3-night-talk-series.html http://www.festival-tokyo.jp/14/en/program/3-night-talk-series.html#comments Sun, 31 Aug 2014 02:42:08 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=545
The concept of “arts management” and arts administration entered Japan in the 1980’s and 1990’s. This series of talks over three nights will invite various guest speakers to share their ideas about the issues and tasks facing arts administration, and will consider the kind of performing arts management and the human resources training necessary for Japan in the future. Please note that the talks are in Japanese only. Facilitator: Hirotomo Kojima (Festival/Tokyo Directors Committee Deputy Representative).
Further details on panellists will be announced at a later date.
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Discover Atelier http://www.festival-tokyo.jp/14/en/program/discover-atelier.html http://www.festival-tokyo.jp/14/en/program/discover-atelier.html#comments Sun, 31 Aug 2014 02:16:34 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=538
This “atelier” is a space for learning about F/T14’s performances through talks, screenings, lectures and more. The events will take place during F/T14 and offer ways for audiences to get more out of the festival. Guest speakers and artists will be invited to discuss the background and themes behind work appearing in F/T14, and there will also be screenings of past performances by the artists. Entrance is free for all events.
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Symposium: “Diversity in Art” http://www.festival-tokyo.jp/14/en/program/symposium.html http://www.festival-tokyo.jp/14/en/program/symposium.html#comments Sun, 31 Aug 2014 01:51:14 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=535
This symposium will use the current Festival/Tokyo line-up as a case study to examine new trends in performing arts today. The discussions will feature leading practitioners and theorists to explore ideas, dilemmas and the state of the scene.
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Affiliated Program http://www.festival-tokyo.jp/14/en/program/affiliated.html http://www.festival-tokyo.jp/14/en/program/affiliated.html#comments Sat, 30 Aug 2014 06:05:56 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=503

Around the same time as F/T14 there are many other performances taking place in the Tokyo area.

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Asia Series Vol.1: Korean Dawon Arts 10 Years in 1 Minute http://www.festival-tokyo.jp/14/en/program/10-years-in-1-minute.html http://www.festival-tokyo.jp/14/en/program/10-years-in-1-minute.html#comments Sun, 24 Aug 2014 09:14:08 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=252 An exploration across borders and genres of dance as a moving archive  
Three performers: Jeeae Lim, a dancer who fuses a background in Korean traditional dance with a contemporary dance sensibility; Pijin Neji, the Japanese dancer who began in Butoh and whose work is physically unique and deeply reflective; and Sergiu Matis, a Romania-born dancer based in Germany with a background in classical ballet. “10 Years in 1 Minute” is a peculiar collaboration between three dancers hailing from three different contexts, looking to re-examine and reconstruct the body as a “moving archive”. The three-part project started last year, with the first and second chapters staged in Germany and Korea in spring 2014. Now Tokyo witnesses the final engrossing exploration of deviation, expansion and transition.
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Asia Series Vol.1: Korean Dawon Arts The Conversations http://www.festival-tokyo.jp/14/en/program/the-conversations.html http://www.festival-tokyo.jp/14/en/program/the-conversations.html#comments Sun, 24 Aug 2014 08:59:07 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=247 History and today, emerging from a dialogue across generations  
Creative VaQi is a major group active in the Korean dawon scene of crossover arts, featuring not only a director but also architects, video artists and more. It explores social themes through research and workshops, turning the facts and new awareness these produce into words and visualization. Its use of form and style is creatively free but also acutely analytical. This performance utilizes documentary techniques, departing from a meal and conversation shared by two generations: one born during the 1940’s when South Korea was still a Japanese colony and undergoing modernization, and another born in the 1980’s, the period in which Korea’s democratic movement was at its peak. Mixing video and subtitles, a portrait of Korean society emerges through how the experiences are both shared and separate.
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Asia Series Vol.1: Korean Dawon Arts From the Sea http://www.festival-tokyo.jp/14/en/program/from-the-sea.html http://www.festival-tokyo.jp/14/en/program/from-the-sea.html#comments Sun, 24 Aug 2014 08:41:56 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=244 An urban walking performance through Tokyo’s past and present  
In the dawon crossover arts scene in Korea Hyunsuk Seo has made a name for creating site-specific theatre work exploring the role of the arts in contemporary society. Previous locations for performances include an old train station building and an area where an urban development project failed. Into these sites Seo weaves new narratives based on the particular history and present-day situations of the venues. This new work has been created out of research into Tokyo’s Shinagawa locale, with participants traveling around the area, uncovering both past and present of the rivers and canals now buried or still running there. The journey will form an encounter with a new Tokyo.
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Moshi-ita – What if the manager of a high school baseball team called in an Aomori itako shaman? http://www.festival-tokyo.jp/14/en/program/moshi-ita.html http://www.festival-tokyo.jp/14/en/program/moshi-ita.html#comments Sun, 24 Aug 2014 08:20:38 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=242 A popular high school play about Aomori, Tohoku  
This playful reimagining of “Moshidora”, the bestselling Japanese novel and film which applied Peter Drucker’s business theories to a high school baseball team, asks what if the manager of a high school baseball team called in an itako? Itako are mysterious female shamans in Aomori, in the far north of Tohoku. Performed by over 20 high school students, it won top prize at the 2012 National High School Theatre Contest. Performed without stage effects, set or props, since autumn 2011 it has toured evacuation shelters and many other locations in the Tohoku disaster zones.
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Farewell to Nuclear Robot Mutsu: Soldiers of Love http://www.festival-tokyo.jp/14/en/program/farewell-to-nuclear-robot-mutsu-soldiers-of-love.html http://www.festival-tokyo.jp/14/en/program/farewell-to-nuclear-robot-mutsu-soldiers-of-love.html#comments Sun, 24 Aug 2014 08:13:36 +0000 http://www.festival-tokyo.jp/14/en/?post_type=program&p=239 A science fiction tale of nuclear power waste  
Set in a fictional town in Aomori Prefecture, northern Japan, the mayor decides to accept nuclear power waste containing high levels of radiation. This funny and sad play has been dazzling audiences since it was first staged in 2012, when it was nominated for Japan’s top theatre prize, the Kishida Kunio Drama Award. Its themes of humanity’s dream of technological advance continue to haunt post-Fukushima Japan and this new version, with the questions it poses about responsibility and technology, promises to be even more timely than ever.
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